In a busy world, the time we spend waiting often infuriates us. We grow impatient and seek distraction. But making photographs at night has shown me the nurturing and transformative elements available in the act of waiting.
The railroad crossing is a familiar image of time spent waiting, and even of time wasted, but it has become metaphorically significant to me for several different reasons. On one hand, it represents a transition in my process from still photography to video, a place of crossing over from what is familiar to what remains unknown.
Here, still images are here displayed as video (new), but also presented as prints (familiar). On the other hand, I have also used a raw material to illuminate the scene. I have turned my car around so that the brake lights color the crossing, so that one may see the waiting differently.
Once the train has passed, the braking ceases but the observation continues. The act of stopping creates a perspective that was there before, but not noticed.
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Blue Star Contemporary gratefully acknowledges major support from the City of San Antonio Department for Culture & Creative Development; The Lifshutz Family; Ann Griffith Ash; The Brown Foundation, Inc.; Charles C. Butt; Capital Group; Penelope Speier and Sonny Collins; H-E-B; Ricos Products Co., Inc.; Valero Energy Corporation; and Weston Urban. Additional essential support is provided by 1010 South Flores Lofts and 1111 Austin Highway Lofts; Argo Group; Bury, Inc.; Casa Rio & Schilo's; C.H. Guenther & Son, Inc.; Pat and Geof Edwards; Frost Bank; King William Association; Muñoz and Company; The NRP Group, LLC; Rackspace; Silver Eagle Distributors; Strasburger & Price, LLP; Texas Commission on the Arts; and the Community Partners, Members, Individual Donors, and Board of Directors of Blue Star Contemporary.
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