Black Box Lunch - Amita Bhatt & Sharon Kopriva
Black Box Lunch
Several times throughout the year, Blue Star Contemporary Art Museum presents Black Box Lunch. These short and intimate lunchtime chats give featured artists direct contact with their audience and art-lovers the chance to peek inside the artist's mind. Delicious box lunches from SIP are available for $8 to members, $10 to non-members. Past Black Box Lunch artists include Philip John Evett, Justin Parr and Ed Saavedra, Ivano Vitali and Joan Hall, Gary Sweeney and Julia Barbosa Landois.
Space is limited so please RSVP to elizabeth@bluestarart or 210-227-6960
Texas Tough features four renowned artists: Jill Bedgood, Amita Bhatt, Sharon Kopriva, and Sherry Owens. Texas Tough is Blue Starʼs first all-women exhibition since Arte Latina: ROAR, in April 2008. This exhibition, which runs from June 6, 2013 to August 24, 2013, includes artists from Austin, Dallas and Houston representing multiple visual arts disciplines.This exhibition was made possible by an NEA grant and the support of DCCD.
During this Black Box Lunch we will have the opportunity to hear from two of the exhibiting artists, Sharon Kopriva & Amita Bhatt.
Sharon Kopriva transports us to a place of magical realism through her marriage of architecture and nature. Retracing history to a time when painting was deeply rooted in architecture through frescoes and altarpieces, Kopriva recaptures that relationship through a contemporary perspective. This allows a powerful dialogue between different mediums including sculpture, painting, photography and architecture as well as different themes including religion, faith and nature. These dreamlike scenarios are not only striking but also inspiring because they give hope to the new life that can grow among the remains of the past.
Amita Bhatt's Artist Statement -
This body of work is anchored in the historic and global phenomenon of geographic and identity politics and seeks to analyze the drama of life, desire, loss, hope, death, violence, conflict, dislocation, and eventual transcendence by combining mythology, and happenstance to create a hyper real stage. Seeking to charge this work with a primal energy while creating utopias/dystopias that are in acceptance of ecstasy and benevolence as well as darkness, suffering, and turmoil. Everything is part of the scheme. Relying heavily on seemingly disjointed imagery to mirror man's condition and the chaotic and unpredictable power struggles of the contemporary world these wall-sized drawings are infused with a magnified sense of theatrics. Just below the surface of these perverse, funny, playful and sometimes absurd worlds lurk the seething potential of violence ready to burst forth and consume if one looses guard for but a second. This employment of random objects and events also allows fracturing the surface of the canvas without tearing apart the dizzying visual whole while paying homage to mankind's resilience. The lines continue to remain simple.
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Blue Star Contemporary gratefully acknowledges major support from the City of San Antonio Department for Culture & Creative Development; The Lifshutz Family; Ann Griffith Ash; The Brown Foundation, Inc.; Charles C. Butt; Capital Group; Penelope Speier and Sonny Collins; H-E-B; Ricos Products Co., Inc.; Valero Energy Corporation; and Weston Urban. Additional essential support is provided by 1010 South Flores Lofts and 1111 Austin Highway Lofts; Argo Group; Bury, Inc.; Casa Rio & Schilo's; C.H. Guenther & Son, Inc.; Pat and Geof Edwards; Frost Bank; King William Association; Muñoz and Company; The NRP Group, LLC; Rackspace; Silver Eagle Distributors; Strasburger & Price, LLP; Texas Commission on the Arts; and the Community Partners, Members, Individual Donors, and Board of Directors of Blue Star Contemporary.
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